“Some of that was kind of hard to understand,” our son told us. I agreed; British colleges and universities are pretty strange for us, too! I still can’t get over the downright palatial residence of fourth-year students in places like this. Patrick Mower’s character, who’s a really nasty piece of work, lives in a space that would have fit six or eight of us from my time at dear old Reed Hall.
I took a break from reading 2000 AD when I went to college; at least one of the students at St. Bode’s has kept up his subscription to the venerable Lion. Mrs. Peel’s checking out the latest adventure for Robot Archie in the issue in the lecture room. Archie was the spiritual antecedent for the Vision and Jocasta in those other, lesser Avengers.
But even if our son had been more familiar with the ins and outs of colleges like this, I think the central thesis of this adventure might have been a little over his head. I like the way that Martin Woodhouse’s script is very subtle about the issue between one set of economists who envision a future of “Europia” and the anonymous author of a paper called Economics and a Sense of History. Steed immediately sees something in the paper that brings the word “jackboots” to mind, and many of the students at St. Bode’s, including Mower and future star Jacqueline Pearce, are thugs-in-training. They’re downright awful to one of their lecturers, played by John Barron, who contends that no one person can alter the inevitable course of history.
The show was much more his speed when the students’ Rag Week festivities got violent. At one point, Steed and Nigel Stock’s character have to take refuge under a caravan in the woods while masked ruffians fire arrows at them. One flaming arrow pierces Steed’s bowler hat; that was the high point of the episode for him!