“A Surfeit of H2O” isn’t just writer Colin Finbow’s only Avengers credit; it’s his only credit, period, for any ongoing TV series, according to IMDB. He’d previously written an ITV play of the week, and would later write and direct some other obscure films, including the all-but-forgotten British adaptation of Something Wicked This Way Comes in 1972.
To prep our son for this episode, I first let him know what surfeit means, and then what H2O is. Starting from scratch this time. I also reminded him that The Avengers is full of eccentrics. Noel Purcell plays one this time out who’s getting ready for the next Great Flood, building an ark, shouting “Hallelujah” in every scene, and writing letters to the Times. We also get another great only-in-Avengerland business, a winery called Grannie Gregson’s Glorious Grogs, which is a front for villainy.
Unfortunately, all the prep in the world didn’t keep him from getting downright angry with this story. The villain, blessed with the comic book name of Dr. Sturm, has built a weather machine and can create torrential rains over a desired location instantly. We don’t learn this plan until nearly the end, when he’s got Mrs. Peel captive in a massive hydraulic vegetable press, which was too cruel a trap for his liking. He never did learn to love the over-the-top cliffhanger traps of Batman, you may recall. The climactic fight scene, in the rain-lashed courtyard, went some way toward saving a little bit of happiness, but honestly, the fight’s a little spoiled by Purcell bellowing “Hallelujah!” every three seconds.
Apart from Purcell, there are a few notable guest stars in this one, including Talfryn Thomas and Geoffrey Palmer, each of whom we’ve seen briefly in small roles in season seven of Doctor Who. We’ll see them both again in Who before the end of the year. Sue Lloyd, who seems to have made it into most of ITC’s action-adventure shows of the day (and was a regular in one, The Baron), plays the villains’ receptionist. Even diabolical masterminds like Dr. Sturm must maintain the illusion of being a respectable businessman.
Incidentally, this was one of five episodes that were not shown on ABC in the original US purchase of the series. I think that only 21 were shown because ABC dropped all their black and white programming at the end of August 1966, but I wonder who made the decision which five wouldn’t make the cut. “A Touch of Brimstone,” famously, never aired on the network for content reasons, but somebody must have made similar decisions about the other four. For whatever reason, this story apparently wasn’t shown in America until it was offered in a package for syndication in the seventies.