The United Kingdom joined what was then called the Common Market in 1973, and there were many years of debate in that nation as to whether it should. While not formally a satire or a pastiche of this event, the politics of the day certainly formed some of the background behind Brian Hayles’ first story about the feudal planet Peladon as it is considered for membership in a Galactic Federation.
Part one of the story, the first of four Who serials directed by Lennie Mayne, is a little heavy with court intrigue and political squabbling, and so we paused the action, such as it was, to give our son a little recap. King Peladon, played by David Troughton (Patrick’s son), is ready to move his primitive planet forward into the Federation, and his superstitious high priest Hepesh is opposed. Hepesh is played by square-jawed Geoffrey Toone, who may have been familiar to audiences from playing numerous upper class and military villains, perhaps most notably as the regular villain Von Gelb in the first three series of Freewheelers, so all eyes are on him here to be up to no good.
But Toone is quickly overshadowed by the arrival of a couple of Ice Warriors, who were last seen on Who three years previously. As part of our story-so-far, I pointed out that the Federation’s assessment group contains four members: Alpha Centauri, Arcturus, the delegate from Earth who has not yet arrived, and one we have not met yet. Then a big Martian lumbered into frame. “We HAVE met them,” he yelled. “It’s an Ice Warrior! A GREEN Ice Warrior!” I asked him later what color that he thought they were, if not green. “White and black,” he answered, reasonably.
But Troughton, Toone, and the Warriors are all overshadowed by Katy Manning, who completely steals the show. Dressed for a night out on the town with Captain Yates, she’s wearing what appears to be something from the 1974 Sears Christmas Wish Book, but Jo immediately understands the problem of sexism in the Peladon throne room and promptly improvises the persona of Princess Josephine of TARDIS so that she can be presented to “our royal host.” There’s never been a way around it: Jo is undeniably a retrograde step down from her more progressive antecedent companions Zoe and Liz, but would Liz Shaw have been at all believable pretending to be a princess to avoid a royal scandal?