The Six Million Dollar Man 3.16 – The Secret of Bigfoot (part one)

Forty years later, and “The Secret of Bigfoot” hasn’t lost a lick of its amazing power to thrill six year-olds. In 1976, this took the bionic shows from something that most elementary school kids had at least heard of to something that everybody talked about. In part, that’s because while Bigfoot has always been popular, the beast was never as popular as it was in the seventies. There were comic books, news stories, hokey “documentaries,” B-movies, and toys just like there are today, but with an added buzz that had every kid in America wondering and wishing.

Our son watched Andre the Giant stomping around the California woods in that costume with more energy and nervousness than we may have ever seen, leaving the poor kid babbling like a brook he was so wild about this. He watched those early scenes with just the shadowy form creeping around and attacking the military base camp at night with his eyes wide and making the same complaint that every kid in 1976 must have made: “Oh, I wish they’d show him clearly!” When Bigfoot has the mid-episode brawl with Steve Austin, culminating in the bizarre revelation that he’s a nine-foot tall alien cyborg, he was half-terrified and half-thrilled.

About the brawl: Steve Austin never actually punches anybody in this show, because Universal and ABC were very mindful of showing easily-copied violence in an era where the children’s television censors were watching everything while suffering such awful indigestion. But Steve just slugs Bigfoot right in the stomach and the beast does not flinch at all. I don’t know whether that was Hollywood magic, either. Can you imagine punching Andre the Giant in the stomach and expecting him to flinch?

About the aliens: Stefanie Powers and Severn Darden are among their number, and the entrance to their underground base is the revolving ice tunnel from the Universal Studios train tour with a bunch of blankets thrown over the tracks. It looks terrific, apart from those blankets! Lindsay Wagner has a brief, uncredited cameo as Jaime Sommers, where she phones Oscar as if to say “Hey, don’t forget to watch my show Wednesday night!”

Well, we giggle, because we’re old and jaded and this is, at the end of the day, a silly kid’s show, but man alive, for fifty minutes, it’s the greatest kid’s show ever made. Or, as our son put it, “We watch part two tomorrow night, right?!” God, I hope so. They talked about earthquakes and volcanic vents and an underground nuclear bomb. Part two might even be better than part one.

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