I’ve picked thirteen episodes to enjoy from the third season of Six and the first season of The Bionic Woman, which originally aired in 1975-76. This year would see Martin E. Brooks become the third actor to play Dr. Rudy Wells and, inevitably, brought back Jaime Sommers, although with an unfortunate difference. This wouldn’t have been a problem had she and Steve not been in love. How do you bring back the lead character’s former fiancee without going forward with the wedding? You give her amnesia.
My wife bristled because, once again, all the menfolk are making Jaime’s decisions for her, but to be fair, she had just wakened from several weeks in a coma without any memory. There’s a notion that bringing back too many of Jaime’s memories will advance the damage to the cells in adjacent parts of her brain, and I don’t know that somebody with only a couple of days’ understanding of the world is really ready to make those kinds of decisions.
Still, while respecting the fact that Lee Majors plays abjectly heartbroken surprisingly well, and that it was Majors and Lindsay Wagner’s undeniable chemistry as bionic lovers that captured the audience’s imagination in ’75, this wouldn’t have even smelled problematic had Jaime been introduced as an independent agent like the Seven Million Dollar Man, Barney, had been. Since Jaime – at this stage – exists only in relation to Steve, Kenneth Johnson really painted himself into a corner. How else do you blamelessly break this couple into two independent, likable leads without amnesia, and keep the audience wondering whether maybe one day they’ll rediscover their love?
This is all, of course, above our son’s head and he would be baffled by the implications. He’s just happy that Jaime is alive, and that she and Steve had a bionic pillow fight in her hospital room.