It’s largely forgotten today, but if you want to sit down with a kid and enjoy a downright insanely entertaining movie, Message From Space will certainly do. After those last two turkeys we watched for this blog, this was both a relief and a pleasure. This is a fun, fun movie, almost tailor-made for slow Sunday mornings for kids to watch on a UHF channel while Mom and Dad are still asleep.
You know how Star Wars is really inspired by Kurosawa’s The Hidden Fortress? This is a movie that doesn’t pretend. It’s The Hidden Fortress in space, gleefully pilfering its look and set pieces from Wars and running at breakneck speed with explosions and sword fights every five minutes. Anybody who’d get bored watching this film didn’t have an attention span in the first place.
The plot goes like this: evil space villains have conquered a peace-loving planet, and the defeated people’s ageing leader sends eight seed pods into space to recruit help. The baddies follow the trail from their region of space into ours, and while the seeds collect a rag-tag group of misfits to fulfill their destiny, the villains learn about the beautiful planet Earth and decide to conquer it next. Among its international cast, it’s got Sonny Chiba and Vic Morrow, and a young American actress named Peggy Lee Brennan in a role that looks like it was written for Suzy Quatro.
Our son adored this film, of course. I mean, if you like Star Wars, here it is again, only with old-fashioned miniature effects instead of computer-controlled one, and with a climactic sword fight that is roughly a billion times better than the one Dave Prowse and Alec Guinness had. It’s got both a Vader Villain and his creepy old silver-skinned mother in a wheelchair, beat-up and dirty little one-man spaceships, cocky hotshot pilots, a musical score that sounds a whole lot like John Williams, and a Death Star trench climax that’s pilfered straight from the original, only using about a quarter of the screen time and including giant doors in the tunnels that threaten to close right in front of the quasi-X-wings.
Bizarrely, my son took exception to one little bit of design. The whole affair is ridiculously sumptuous for what could have been a cheap knock-off. According to a book by Stuart Galbraith IV, Japanese Science Fiction, Fantasy and Horror Films, it was actually the most expensive film ever made in Japan up to that time, and you can see it all onscreen. The costumes, sets, spaceships, and effects are all completely over the top and outlandish and I think they all look splendid, but for some reason he grumbled that the villains’ gigantic flying fortress – their Star Destroyer, basically – was “a hunk of junk,” and kept calling it that whenever he wasn’t whooping, laughing, or shouting “Oh my goodness, they’re killing everybody!”
So when the flying fortress meets its destructive end, he jumped off the couch in ecstasy, and bellowed “I TOLD you it was a hunk of junk!” He was happier about that than the downright amazing end for the chief Vader Villain, weirdly.
Message From Space sports a co-writing credit for Shotaro Ishinomori, a comic book artist who spent the seventies being consulted by lots of TV and movie producers in Japan, and collaborating on all sorts of shows that look incredibly fun and/or silly. This is absolutely a fun movie, one I was happy to revisit. It’s not high art, but neither’s Star Wars, and every six year-old in the galaxy should see it.