Our son was quite candid and honest when I asked whether he’s enjoying this series. “Not really,” he said. He explained that there’s not a lot of action in it. That’s despite two people being knocked unconscious by blows to the back of the head, an exploding airplane, and a weird burst of radioactivity that turns the room blue and bathes the villain, Nero, in psychedelic colors.
We learn this time out that up until recently, Nero was Professor Barnet at Cambridge, a respected researcher into oceanographic studies. Like a lot of misguided scientists in the 1970s, he was trying to solve the world’s foot shortages, and his solution was the Medusa project, which stimulated plankton into unnatural growth via radiation. What this has to do with melting gold into frying pans and shipping them to France is still a mystery.
In fact, lots of this is kind of hard to figure out how each plot element fits into each other. It’s almost like they went on location, filmed a lot of material based on what was available and handy – like the big air show in this story – and then crafted a final script around that before they went back into the studio to tie it all together.