Big Alice always plays second fiddle to Grumpy when people remember Land of the Lost, but I always liked her best. I love how she always brings her head really low. The animation in the show is dated, but the crew put so much personality into those models. And make no mistake: she is absolutely convincing and utterly horrifying to kid viewers. Daniel was buried under a blanket for most of this installment, occasionally bellowing “I don’t want to watch this show of Land of the Lost!”
But he stuck with it, and was rewarded with the stop-motion team’s other great triumph. Tom Swale’s script – his first of three, all of which are very, very good – involves Cha-Ka being instructed to steal an allosaurus egg as part of the Pakuni rite of manhood, and if you don’t predict that the egg is going to hatch, you must be new to this kind of story. The baby allosaur, who is quickly named Junior, is the cutest thing in the entire universe, and communicates in an obnoxious but somehow charming squeak. Somewhere in TV Heaven, Junior is hanging out with the Clangers, squeaking and whistling at each other.
The story really shines from the direction. Like “Tag Team” in season one, this is a very simple story without a lot to it, and so Bob Lally has to build remarkable tension with the characters in mortal danger from the special effects, relying on music and pacing to make it all work. The first commercial break comes with Cha-Ka in the foreground struggling with the egg, unaware that Big Alice, on the other side of the Lost City’s plaza, has caught sight of him, has lowered her head, and, deep in the background of the shot, is slowly walking toward the camera. There’s no WOW! shot, no musical sting, and no need for pizzazz. It’s quiet and subtle and it worked astonishingly well; our son was scared out of his wits by it.
On the side of the plaza where Cha-Ka is fumbling with the egg, we get our first glimpse of a strange, ruined building that the Marshalls have not visited before. I can’t tell you how much I love the way the writers just planted all these seeds to revisit in later stories. Not even the prime-time dramas on American TV in the ’70s were so willing to develop long continuity like this. This was so ahead of its time.